A One‑Man Show Turns a Small Town’s Dark Past Into Theatre

The new play “Kenrex” takes the story of Ken Rex McElroy, a violent outlaw who ruled Skidmore, Missouri, and the day he was shot dead in front of dozens of witnesses. The production opens at the Lucille Lortel Theatre and is performed by Jack Holden, who has already earned an Olivier Award for a London role. Holden is the only actor on stage, and he portrays every person in the story—over thirty characters—including a young prosecutor, a federal agent, and even a bartender who is a composite of several locals. He changes his posture and voice to switch between roles, while the stage remains simple: a dark suit, white shirt, and a set of microphones that add vocal effects. The play’s design leans heavily on sound. Giles Thomas creates a detailed audio landscape that makes the audience feel as if they are hearing phone calls and distant gunshots. This sonic approach pulls viewers into the tense atmosphere of 1980s Missouri, rather than presenting a straightforward narrative.Unlike other works about McElroy—books, documentaries, and podcasts—“Kenrex” does not offer a deep analysis of the case. It focuses on the events themselves, leaving little room for reflection on justice or redemption. The epilogue that follows feels rushed and does not expand the story’s moral questions. The production’s style is distinct, with Holden’s rapid character switches and the use of filtered voices. Yet the lack of critical perspective may leave audiences wanting more context about why this story matters beyond its shock value. Overall, the play invites viewers into a violent noir world but stops short of exploring its broader implications. It is an engaging theatrical experience that tells a true crime story in a unique, if somewhat limited, way.