A Family Circus in a Dark Comedy

The film opens on a Spanish beach where a man named Edward, played by Callum Turner, takes a newcomer named George under his wing. George is fresh from Athens and feels out of place, but Edward, who loves fashion and sees everything as a runway, pulls him into a world of flamboyant style. From the start, the story leans heavily into sexual energy, pushing boundaries in a way that feels both daring and deliberate. The cast—mostly young actors from Gen Z and Millennials—delivers bold performances that challenge the idea of “prudishness” in modern youth culture. A twist arrives when Edward’s family is revealed. They have moved from New York to Catalonia after their mother, played by a famous actress, died in an unusual incident involving wolves. The family is oddly close‑knit, yet their relationships are tangled and strange: the siblings all share an odd affection for one brother, Jack. When Jack brings home a new girlfriend, Martha (Elle Fanning), the family’s fragile equilibrium cracks. Martha is a guitarist who dresses in cheap Zara outfits, and her presence sparks outrage among the family’s fashion‑obsessed members.The film does not follow a clear plot; instead, it offers an ensemble of absurd moments. Each character gets a chance to shine—whether it’s the father’s bleach‑brushing ritual or a bizarre scene where a character attempts to carve something on his thigh. These moments feel almost like sketches in a larger circus of grotesque humor. The focus remains on Jack’s attempts to escape his bizarre family, a task that feels as impossible as it is absurd. The director’s vision draws from earlier avant‑garde films and modern black comedy. The tone is intentionally shocking, with a blend of dark humor and explicit visual style that pushes the limits of taste. The film’s energy feels more frantic than its predecessor, offering a spectacle that might appeal to those who enjoy unconventional storytelling and a splash of decadence.