A Seattle Designer's Fight Against Fashion Waste

In the heart of Seattle, a designer is on a mission to change the fashion game. Janelle Abbott, a 35-year-old creative force, is tackling the fashion industry's waste problem head-on. Her studio is a treasure trove of reclaimed textiles, ready to be transformed into unique, sustainable fashion pieces. Abbott's journey began in her childhood, surrounded by the clothing business her parents ran. She saw firsthand how the industry could be tough, especially when fast fashion giants like H&M and Forever 21 started to dominate. Her parents' business, Amanda Gray, couldn't compete and eventually shut down. This experience left a lasting impression on Abbott, fueling her determination to create a more ethical and sustainable fashion future. Fast forward to today, Abbott is the mastermind behind JRAT, a label known for its zero-waste approach. She's not just a designer; she's an artist who loves to play with fabrics, creating pieces that are as unique as they are sustainable. Her work has caught the eye of many, from local theater companies to major ballet organizations. But Abbott's journey hasn't been easy. She's had to fight for her vision, even clashing with professors at Parsons School of Design. She's also had to navigate the challenges of running a one-woman show, from designing and creating pieces to managing her business. Despite these hurdles, Abbott remains committed to her mission. She's a beacon of hope in an industry that desperately needs change. Abbott's work extends beyond her label. She's collaborated with various artists and organizations, bringing her unique aesthetic and ethical values to life. Her recent installation, "149, 520 Gallons, " is a stark reminder of the environmental impact of the fashion industry. It's a call to action, urging us to reconsider our consumption habits and the waste we generate. Abbott's story is a testament to the power of passion and perseverance. She's proving that it's possible to create beautiful, sustainable fashion without contributing to the industry's waste problem. Her work is a challenge to the status quo, a call for innovation and change. And she's not backing down anytime soon.