ENTERTAINMENT
Southern Horror: Sinners Brings a New Flavor to Black Horror Films
Mon Nov 03 2025
It's a cultural moment that shakes up what we expect from these genres.
- Vampires
- Hoodoo
- Southern Black culture
- Religion
- Blues
- Blood
All packed into this film.
If you haven't seen it yet, it's back in theaters until Thursday. Perfect timing to end Spooky Season with a bang!
Growing up in a small town, media was an escape.
- Books
- Music
- Dance
- Theater
- Film
All these things took me to different worlds without leaving my hometown.
- Horror
- History
- Black films
Quickly became favorites.
The Southern Gothic subgenre, with its flawed characters and eerie settings, has always inspired.
- "Eve's Bayou"
- "Beloved"
- "Daughters of the Dust"
Now, "Sinners" joins this list.
Ryan Coogler, known for his work with Michael B. Jordan, brings a unique twist to the vampire story.
- Harsh reality of the racist South
- Religion
- Music
- Lust
- Sin
Every detail in "Sinners" feels intentional.
- Guitar and banjo score
- Use of red and blue colors
This film gives a voice to those who feel unseen.
That's the power of Southern Gothic and Black filmmaking.
As a filmmaker, having creative control is crucial.
Coogler secured a deal with Warner Bros. that gives him full ownership after 25 years.
- Big deal, especially for a Black filmmaker.
- Production companies usually keep creative control and profits.
- Coogler's deal ensures he benefits from his work forever.
"Sinners" is also the first film shot simultaneously on Ultra Panavision 70 and IMAX.
- Nod to the past, as films were once made on analog formats like Super 8 and Super 16.
- Larger imaging surface = higher resolution and shallower depth of field.
- Technical achievement that adds to the film's uniqueness.
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questions
What are the implications of Ryan Coogler's deal with Warner Bros. for the future of Black filmmakers and creative control in Hollywood?
Is the use of Ultra Panavision 70 and IMAX formats in 'Sinners' a genuine artistic choice or a secret Hollywood experiment?
How does 'Sinners' challenge or conform to traditional vampire narratives in horror films?
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