Stars Speak Up as Agency CEO Faces Epstein‑Related Scrutiny

Casey Wasserman, the chief of a major talent agency and chair of the 2028 Los Angeles Olympic Committee, has found himself in the spotlight after his name surfaced in recently released documents tied to former financier Jeffrey Epstein. The revelation prompted a wave of criticism from entertainers who feel uneasy about any association with the scandal. A singer announced her departure, citing a duty to protect her team and uphold moral standards. Bands that had long been outspoken about political issues also cut ties, describing the decision as a necessary step to align with their values. One group called for Wasserman’s resignation, stressing that remaining under his leadership would conflict with their principles. Other artists expressed strong disapproval, demanding that the agency distance itself from Wasserman’s name and actions. Their messages highlighted a broader concern about powerful men avoiding accountability.Wasserman responded by saying he regrets past communications with Ghislaine Maxwell, which occurred over twenty years ago before the full extent of her crimes was known. He also denied any personal or business relationship with Epstein, noting a brief travel incident on an Epstein flight during a humanitarian trip in 2002. The agency’s roster includes high‑profile musicians, though details remain largely private. Critics argue that any association with the Epstein case undermines trust and raises questions about due diligence in talent representation. Political figures have joined the conversation, calling for greater transparency and warning that redactions in released documents may hide key information. The Department of Justice has defended the removal of certain images to protect victims, but critics remain skeptical. Calls for Wasserman to step down from his Olympic role have spread across social media, reflecting a broader push for accountability in high‑visibility positions. The debate underscores how public perception can shift when a figure’s past actions become public, regardless of direct involvement.